Photographs from Ekely
Interior and exterier photograps from Munch's Ekely.
Edvard Munch: Munch's Dog "Fips". Silver Gelatine, 1930. Photo © Munchmuseet
What Edvard Munch cared most about was the art he created. He was not particularly concerned with material assets. The idyllic villa’s interior was decorated with a motley mix of objects, and images, tools, paint tubes, newspapers, books and letters lay everywhere in blissful disorder.
Munch was curious about new technology and owned various modern gadgets including a film camera, a projector, a telephone, electric lamps and a so-called parlograph – a machine for recording voices. He was an eager amateur photographer and pursued his informal photography as an experimental medium, just like his did with his paintings and prints.
Munch's villa
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Edvard Munch in the garden at Ekely. Photo: Inger Munch © Munchmuseet
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Munch at Ekely, 1943. Photo © Munchmuseet
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Edvard Munch: The villa at Ekely in the snow I. Photograph with drawing, 1927. Photo © Munchmuseet
The winter studio
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Edvard Munch in Profile in the Garden, with the Winter studio in the Background, 1930. Photo: Edvard Munch. © Munchmuseet
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Edvard Munch on his 70th birthday, 1938. Photo © O. Væring.
Outdoor studios
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Edvard Munch: Edvard Munch in the open-air studio at Ekely, 1933. Photo © Munchmuseet

Photography of Munch's open-air studio. Photo: O.Væring Eftf AS © Munchmuseet